What Happened to Grace Brown?
Brown and Gillette met while working at the same factory in Cortland, N.Y., and soon began a romantic relationship. When Brown became pregnant, she repeatedly urged Gillette to marry her.
In July 1906, it appeared he might finally do so when he invited her on a trip to the Adirondacks. Instead, Brown ended up dead in Big Moose Lake. Her pregnancy was confirmed during the autopsy.
Brown’s death—and Gillette’s subsequent trial—sparked a media frenzy, attracting journalists from across the nation and filling the front pages of newspapers. Prosecutors portrayed Brown as a status-hungry social climber who was hoping to rise above his poor upbringing. Brown was the daughter of a farmer. Though he was willing to romance her, they alleged, he wasn’t willing to marry her.
They further reinforced this narrative by highlighting Gillette's interest in other women, including Harriet Benedict, the daughter of a prominent Cortland lawyer.
“He wanted to stay in Cortland, in society,” George Ward, the district attorney for Herkimer County at the time, told the jury. “He never intended to take Grace Brown anywhere except to her death. He concocted a plan to rid himself of her. That girl received her death blow. I am sure, with a grateful heart, out there in the woods.”
Pregnancy as a Motive for Murder
Gillette was ultimately convicted and executed. But, looking back now, it’s not clear whether “what actually happened was an intentional murder, an accident or—a third, distant possibility—a suicide,” Susan N. Herman, an American legal scholar at Brooklyn Law School, wrote for the Historical Society of the New York Courts.
“Because the conviction was based on circumstantial evidence, the public continued to entertain doubts about whether or not Chester had actually murdered Grace,” Herman added. “One popular post-trial song proclaimed that only ‘God—and Gillette—know all.’ A publisher’s contest offered an award of $500 to the person who submitted the best analysis of whether or not Chester Gillette was truly guilty.”
Despite the uncertainty surrounding the case, pregnancy is a well-documented motive for murder. Modern research finds that homicide is a leading cause of death among women who are pregnant or who have recently given birth in the United States, with most deaths resulting from intimate partner violence and firearms.
Pregnancy itself may not be the sole trigger of violence in these types of cases, but it can “aggravate stressors already present in couples that may be unhealthy,” Kasey Klenda, an attorney and the co-founding partner of Shull & Klenda, tells A&E Crime + Investigation. There are often red flags, such as threats, emotional abuse, isolation, stalking or controlling behavior, Klenda says, but they don’t always come to light until it’s too late.
“For some abusive people, [the] pressure [of a pregnancy] will intensify existing patterns of control or possessiveness,” Klenda says.
Perpetrators may be driven to kill their pregnant partners for numerous reasons, including jealousy or possessiveness, dread of the financial burden or commitment associated with parenthood, fear of relationship changes or a desire to maintain control, Nina Batista, a licensed clinical social worker in Boca Raton, Fla., tells A&E Crime + Investigation.
But some simply view babies as “an obstacle to their freedom,” Batista says.
The Cultural Impact of the Case
In addition to stirring up public intrigue, the case served as a source of inspiration for Theodore Dreiser, a journalist, critic and novelist who often explored social issues like class, ambition and morality in his work.
Though he claimed An American Tragedy was a composite of several cases that followed a similar pattern, scholars point out that Dreiser named his main character “Clyde Griffiths”—the same initials as Charles Gillette—and he used verbatim excerpts from Brown’s letters in his book.
The two-volume novel became a best seller and was later adapted for film, most famously as A Place in the Sun starring Elizabeth Taylor and Montgomery Clift. The movie was also a major success, winning six Academy Awards and a Golden Globe in 1952. Decades later, it was inducted into the Library of Congress’ National Film Registry.
In 2005, composer Tobias Picker transformed An American Tragedy into an opera, which premiered at the Metropolitan Opera in New York City.
Dreiser’s novel—and the numerous adaptations it inspired—helped cement the case in the public imagination, transforming a local murder into an enduring piece of American cultural lore. More than a century later, the case continues to attract curious visitors to Upstate New York, where historical markers and landmarks connected to the crime trace the story's enduring legacy.
In 2006, 100 years after Brown’s death, Susan R. Perkins, then-executive director of the Herkimer County Historical Society, told the New York Times, “The murder will never die.”